"Chant and Jubilo" is one of W. Francis McBeth's most popular works for concert band. The piece is structured in two contrasting movements: the solemn "Chant" and the exuberant "Jubilo." It was commissioned by the Four States Bandmasters Association for their 1962 convention.

The melodic material in the “Chant” is derived from a ninth century Greek hymn. It is a modal movement reminiscent of the early church organum and should be played in a very sensitive manner. Opening with a somber and introspective melody presented by the clarinets, the “Chant” is characterized by its modal tonality and chant-like quality, evoking a sense of ancient ritual. The movement unfolds gradually, with the theme being developed and passed between different sections of the band. McBeth uses rich harmonies and orchestrations to build a reflective and mysterious atmosphere. The "Chant" culminates in a powerful climax before returning to the quiet, meditative mood of the opening.

The second movement, "Jubilo," provides a stark contrast to the first. It explodes with rhythmic vitality in the brass section. The flutes join with a celebratory melody, followed by the other woodwinds. The movement is characterized by its driving rhythms, syncopated patterns, and bright melodies. The brass and percussion sections play a prominent role, delivering bold and exuberant statements. The movement ends with a fanfare-like restatement of the initial theme.

"Chant and Jubilo" reflects McBeth's interest in exploring contrasting musical moods and characters within a single work. The "Chant" is inspired by the solemnity and spirituality of ancient chants, while the "Jubilo" embodies the joy and exuberance of a festive celebration. Together, these movements create a dynamic and engaging musical journey.

W. Francis McBeth (1933-2012) was a prolific American composer and educator who wrote for piano, choir, symphony orchestra, chamber ensembles, and over thirty works for wind band. Born in Lubbock, Texas, McBeth studied at Hardin-Simmons University and the University of Texas. McBeth was professor of music and resident composer at Ouachita Baptist University in Arkadelphia, Arkansas, from 1957 until his retirement in 1996. In 1962, McBeth conducted the Arkansas All-State Band, with future president Bill Clinton playing in the tenor saxophone section. He served as the third conductor of the Arkansas Symphony Orchestra from 1970 until 1973 and was appointed Composer Laureate of the state of Arkansas by Governor Bob C. Riley in 1975, the first such honor in the United States