"Russian Sailors' Dance" from The Red Poppy

Reinhold Glière, arr.Erik Leidzén

"Russian Sailors' Dance" is one of the most famous excerpts from Glière's ballet The Red Poppy, Op. 70, composed in 1927. The Red Poppy is notable for being one of the first Soviet ballets with a modern revolutionary theme. It deals with an uprising on board a Chinese ship and the successful intervention of Russian sailors. The "Russian Sailors' Dance," also known as "Dance of the Sailors from the Soviet Ship," is a spirited and vigorous piece that occurs at the end of Act I. It is founded on the popular Russian folk tune title Yablochka ("little apple"). The dance takes the form of a series of variations on this striking song, showcasing the exuberance and vitality of Russian folk dance. The main theme is introduced in a forceful manner, with strong accents that add to the dance's vigorous character. This theme is developed through various sections of the ensemble, highlighting different instrumental colors and textures. The piece culminates in a frenetic and thrilling coda, where the tempo increases, and the final measures are marked by rapid, virtuosic passages that bring the dance to an exhilarating conclusion.

Reinhold Glière (1875-1956) was a prominent Russian composer and teacher, known for his contributions to Russian music. Glière taught at the Kiev Conservatory and was appointed director in 1914. He became a professor at the Moscow Conservatory in 1920 and trained two generations of Soviet composers, including Khatchaturian, Miaskovsky and Prokofiev. His works include operas, ballets, symphonies, symphonic poems, overtures, chamber music, songs, and piano pieces. His most important works included the symphonic poem The Sirens, the Third Symphony -- Ilya Murometz, and the ballet The Red Poppy. Glière's compositions often incorporate elements of Russian folk music, and he is remembered for his melodic richness and skillful orchestration.

Erik Leidzén (1894-1962) was a Swedish-born American composer, arranger, and conductor known for his work with wind bands and brass ensembles. Leidzen's arrangements are celebrated for their fidelity to the original compositions and their effectiveness for band performance.

Last updated on July 28, 2024 by Palatine Concert Band